Showing posts with label texture/facade. Show all posts
Showing posts with label texture/facade. Show all posts

Friday, September 6, 2013




"Japanese architect Kengo Kuma conceived this primary school in north-west Tokyo as the modern equivalent of a traditional Japanese schoolhouse with timber-clad walls ...
The Teikyo University Elementary School comprises a row of twelve connected classroom buildings that Kengo Kuma and Associates also compares to a row of terraced houses...
By changing its length and height of eave, roof can create multiformity to respond to its environment and different programs..." to find out more...
Images & passage via Dezeen

Thursday, August 29, 2013





"Since its completion, the new Law Center received awards from the US Green Building Council Maryland and the Building Congress & Exchange of Metropolitan Baltimore. Additionally, it was shortlisted for the international World Architecture Festival and recognized by the high-profile Energy Performance + Architecture Award from France this year. The building will also be presented at the upcoming SCUP 48th Annual International Conference.
Aside from its eye-catching exterior, the 192,000 sq.ft. (17,837 m²) structure at the urban center of Baltimore is full of revolutionary features—like its sustainable technology and its numerous state-of-the-art educational facilities—as described in the official press release below.
The building form consists of three interlocking L-shaped volumes which articulate the functions of the building program – classrooms and offices, the legal clinic, and the law library – and define a narrow atrium, a "green stalk" rising up through the heart of the building and connecting the three volumes. In addition to its function as the connective tissue between program spaces, the atrium also captures the lobby, two coffee bars (forum level and Level 6) and informal work and meeting spaces..." to find out more...
Images & passage via Bustler

Friday, August 9, 2013





"Warped skyscrapers keep trending: global architecture firm Aedas announces its recent competition win in Shanghai – the Xuhui Binjian Media City 188S-G-1 Tower and Podium.
The tower has a very dynamic and unique shape.  It begins with an extruded rectangular plan. Going upward, the west wall is gradually warped to accommodate the subway setback that cuts off the corner of the otherwise square project site; and the north wall is warped to the east to acquire a desired view of DreamWorks sites and other neighbouring blocks..." to find out more...
Images & passage via Bustler

Saturday, June 29, 2013



"This Tokyo five-storey townhouse by Japanese architect Ryue Nishizawa is fronted by a stack of gardens...
Located in a dense commercial district, the building provides a combined home and workplace for two writers. The site was just four metres wide, so Nishizawa designed a building that has only glass walls to avoid narrowing the interior spaces even further...
he entirety is a wall-less transparent building designed to provide an environment with maximum sunlight despite the dark site conditions..." to find out more...
Images & passage via Dezeen

Sunday, June 23, 2013


"OMA has been announced as winner of the design competition for Tors Torn in Stockholm. The proposed pair of towers with its facetted facade was designed as the third tallest twin skyscrapers in Sweden. OMA Partner Reinier de Graaf and OMA Associate Alex de Jong were in charge of this submission which emerged victoriously from a field of four competing practices. The project is scheduled to break ground in 2015...
 OMA's design proposes the introduction of a "rough skin" formed through a striking, alternating pattern of protruding living spaces and introverted outdoor spaces...
OMA's design challenges the expected uniformity and homogenous façade treatment that is often assigned to tower structures. Instead, it extends the skin to expose the individuality of the separate living units in the two blocks - a true vertical, urban agglomeration..." to find out more...
Images & passage via Bustler

Friday, June 14, 2013











"Kengo Kuma and Associates won a competition to design the centre with plans for a timber-clad complex united beneath a single roof. This roof bridges the gap between a pair of three-storey buildings, creating a sheltered terrace in the space between...
"We did not want to propose a simple box," say the architects. "By covering the gorgeous riverside with one generous roof, we aimed to give a unity to a site characterised by heterogeneous existing elements, and to create a special space under the roof, a 'shade of trees' space where the wind from the river could blow and pass through."... to find out more...

Images & passage via Dezeen

Wednesday, June 5, 2013





"Portuguese architect Duarte Pape has combined a long stone wall with folding timber facades in this residential extension in northwestern Portugal...
Duarte Pape used timber cladding and blue limestone to extend the traditional Portuguese house located in a tiny rural village called Mação.
"The goal was to create a connection between the old structure and the surrounding nature," explains the architect..." to find out more...
Images & passage via Dezeen

Saturday, June 1, 2013




"The collaborative design team consisting of architects Adrian Yau, Frisly Colop Morales,Jason Easter and Lukasz Wawrzenczyk has shared with us their entry to the Cultural Center Chapultepec competition in Mexico City...
The Cultural Center of Chapultepec is designed to merge the concepts of aesthetics and functionality. It is to become the icon of the city through its subtle yet dynamic form and overall composition.
The building is thoughtfully designed as a singular form with material simplicity. It seeks to create a city focal point that adapts to its surrounding context, and establishes itself as the heart of the local community...
Though designed as a singular volume, the building changes in dynamics when viewed at different location. It gives the public glimpses of the activities within the center. The northern façade, cladded with molten cast glass, allows the public to be visually connected to the slow and calm movement of users through the exhibition halls...." to find out more...
Images & passage via Buslter

Tuesday, May 28, 2013




"Twenty-thousand pieces of aluminium form a chain-mail blanket over this concrete performance venue in Winnipeg by Canadian firm 5468796 Architecture...
The Old Market Square Stage, also known as The Cube, was designed by5468796 Architecture as the centrepiece of a recently remodelled public square by landscape architects Scatliff+Miller+Murray...
"[It] throws out the old bandshell concept on the grounds that when a conventional stage is not in use it would look forlorn," say the architects, explaining their concept for a structure that can "hibernate" during the city's long winters..." to find out more...
Images & passage via Archdaily

Wednesday, May 22, 2013




"Japanese architect Kengo Kuma has completed a hotel in Miyazaki where guest rooms and dining areas surround a central courtyard and wedding chapel ...
Located on the site of a former factory, Garden Terrace Miyazaki comprises a single two-storey building that features bamboo-clad walls and a large sloping roof with overhanging eaves...
Kengo Kuma and Associates designed this space as a "calm and tranquil environment", where a landscape of bamboo trees and pools of water provide a scenic setting to the glazed wedding chapel at its centre..."
to find out more...
Images & passage via Dezeen

Thursday, May 2, 2013





"Designed by Danish Henning Larsen Architects, Icelandic Batteríið Architects and Danish-Icelandic artist Olafur Eliasson, the building has helped to transform and revitalize Reykjavik harbor and brought the city and harbor district closer together.
Harpa's crystalline structure was inspired by Icelandic landscapes and traditions. Its dramatic design captures and reflects the light of the city, ocean and sky to thrilling effect...
Wiel Arets, Chair of the Jury, said: "Harpa has captured the myth of a nation – Iceland – that has consciously acted in favor of a hybrid - cultural building during the middle of the ongoing Great Recession. The iconic and transparent porous 'quasi brick' appears as an ever-changing play of colored light, promoting a dialogue between the city of Reykjavik and the building's interior life. By giving an identity to a society long known for its sagas, through an interdisciplinary collaboration between Henning Larsen Architects and artist Olafur Eliasson, this project is an important message to the world and to the Icelandic people, fulfilling their long expected dream." to find out more...
Images & passage via Bustler

Monday, April 29, 2013





“The first unique feature of Sanlitun SOHO is that it is designed to be an open community, melding with the city, with no surrounding walls whatsoever,” said Pan Shiyi. “The second is that there are many paths built for freely browsing about. To accommodate this idea, we have designed three layers of walkways, with two layers underground. On the two sides of each colonnade are the five shopping malls and boutiques, lending vigor to the community...
The exterior of the retail podiums and the towers are continuous façades, with no edges, creating an inviting, friendly urban space for both visitors and inhabitants. The podium and tower interiors employ glass and aluminum panels in naturally producing a sense of vertical alignment to reflect the architecture’s narrow straightness. The lightly colored buildings surround a vibrant orange building, creating a strong visual centerpiece..." to find out more...
Images & passage via http://sanlitunsoho.sohochina.com

Saturday, April 27, 2013




" Dutch studio MVRDV has given the new Oslo headquarters for Norwegian bank DNB a pixellated appearance by building a stack of brick and glass cubes. 
The irregular arrangement of the six-metre wide cubes creates recessed openings across the facade, which MVRDV has used to add sheltered terraces to each floor and a new route from the waterfront towards the nearby railway station.
"We started with a massive slab and by removing pixels one by one we were able to create an arcade, terraces, a public passage, etcetera," project architect Jeroen Zuidgeest told Dezeen. "By carving out volumes, we made sure every floor has access to interior and exterior terraces..." to find out more...
Images & Passage via Dezeen

 

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